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En France, tout finit par des chansons' is the well-known phrase which sums up the importance of chanson for the French. A song tradition that goes back to the Middle Ages and troubadours of the twelfth and thirteenth centuries, chanson is part of the texture of everyday life in France - a part of the national identity and a barometer of popular taste.

In this first study of chanson in English, Peter Hawkins examines the background to the genre and the difficulties in defining what is and what is not chanson. The focus then moves to the development of the singer-songwriter of chanson from to the present day. This period saw the emergence of national icons from Aristide Bruant at the end of the nineteenth century through to internationally recognized musicians such as Jacques Brel and Serge Gainsbourg.

Each of these figures used chanson to express the particular moral dilemmas, tragic situations and moments of euphoria particular to themselves and their times. The book provides bibliographies, discographies and details of video recordings for each of the singer-songwriters that it discusses. It is both an essential reference guide to the genre and a useful case history of the adaptation of an ancient form to the demands of the modern mass media.

Edith Piaf remains quite possibly the greatest female entertainer of this century: a tiny, black-clad figure with a scorchingly powerful voice who dominated stages around the world for almost thirty years, and who, more than four decades after her death, has never been replaced. David Bret Britain's foremost authority on the French music-hall Friends, composers, lovers, colleagues and the father of Piaf's only child have confided in him.

Skilfully analysing every aspect of this great artiste's life, he paints a vivid portrait of the celebrated chanteuse whose triumphs and tragedies were shared by an adoring public. Richly illustrated with photographs from the author's collection and containing a complete discography, Piaf also features detailed appendices of her films, stage-plays and all stage and screen tributes to date, making this the most comprehensive and up-to-date biography available.

Piaf is the ultimate tribute to the undisputed genius of a remarkable woman. Lonely Planet Best of Europe is your passport to the most relevant, up-to-date advice on what to see and skip, and what hidden discoveries await you. See the Northern Lights in Reykjavik, party in Amsterdam, or ride in a gondola through Venice; all with your trusted travel companion.

A trenchant yet sympathetic portrait of Lee Miller, one of the iconic faces and careers of the twentieth century. Carolyn Burke reveals Miller as a multifaceted woman: both model and photographer, muse and reporter, sexual adventurer and mother, and, in later years, gourmet cook—the last of the many dramatic transformations she underwent during her lifetime.

Miles Hordern sailed alone in a foot sloop across the Southern Ocean from New Zealand to Patagonia and back - a voyage of 13, nautical miles across the largest stretch of water on earth and a region of icebergs, gales and high seas.

Six weeks later he made landfall on the coast of Chile and, after a chance meeting, embarked on a mile cruise southwards to survey channels and fjords in Patagonia, one of the last uncharted areas in the world. From Chile he sailed north on the Humboldt current, then west through the tropics on the return passage to New Zealand, arriving home some 18 months after he had left. As France began questioning traditional ways of understanding politics and culture before and after May , music as popular culture became an integral part of burgeoning media activity.

Press, radio and television developed free from de Gaulle's state domination of information, and political activism shifted its concerns to the use of regional languages and regional cultures, including the safeguard of traditional popular music against the centralising tendencies of the Republican state.

The cultural and political significance of French music was again revealed in the s, as French-language music became a highly visible example of France's quest to maintain her cultural 'exceptionalism' in the face of the perceived globalising hegemony of English and US business and cultural imperialism.

Laws were passed instituting minimum quotas of French-language music. The s and s witnessed developing issues raised by new technologies, as compact discs, the minitel telematics system, the internet and other innovations in radio and television broadcasting posed new challenges to musicians and the music industry.

These trends and developments are the subject of this volume of essays by leading scholars across a range of disciplines including French studies, musicology, cultural and media studies and film studies. It constitutes the first attempt to provide a complete and up-to-date overview of the place of popular music in modern France and the reception of French popular music abroad.

With an ethnographer's eye, Stacy Holman Jones offers us a cultural critique of torch singing--as much more than the familiar tune of a woman's lamenting her own willing deception and passivity.

She takes us into the space between music and language, allowing us to view torch singing not only as an expression of burgeoning desire but also of a more firmly resolved resistance and promise of change.

An engaging read for performing arts and music professionals, and instructors in mass media and experimental ethnography. Edith Piaf remains quite possibly the greatest female entertainer of this century: a tiny, black-clad figure with a scorchingly powerful voice who dominated stages around the world for almost thirty years, and who, more than four decades after her death, has never been replaced.

David Bret Britain's foremost authority on the French music-hall Friends, composers, lovers, colleagues and the father of Piaf's only child have confided in him. Skilfully analysing every aspect of this great artiste's life, he paints a vivid portrait of the celebrated chanteuse whose triumphs and tragedies were shared by an adoring public.

Richly illustrated with photographs from the author's collection and containing a complete discography, Piaf also features detailed appendices of her films, stage-plays and all stage and screen tributes to date, making this the most comprehensive and up-to-date biography available.

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Born in Paris practically on the streets on December 19, , she struggled from day one, the daughter of street performers. The mother, a singer, eventually abandoned both Edith and her father for a solo career.

Piaf spent her youth entertaining passers-by, receiving little formal education in the process. She often accompanied her father's acrobat street act with her singing and at various times was forced to live with various relatives, in alleys or in cheap hotels. An aborted love affair left her with a baby girl at age 17, but little Marcelle died of meningitis at 2 years old. Devastated, Piaf returned to the streets she knew, now performing solo.

Her fortunes finally changed when an impresario, Louis Leplee, mesmerized by what he heard, offered the starving but talented urchin a contract. He alone was responsible for taking her off the streets at age 20 and changing her name from Edith Gassion to "La Mome Piaf" or "Kid Sparrow". From Piaf recorded many albums and eventually became one of the highest paid stars in the world.

She was first embroiled in scandal when her mentor, Leplee, was murdered and she was held for questioning. Piaf also took to writing and composing around this time; one of the over 80 songs she wrote included her signature standard, "La vie en rose.